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I KNOW FL HAS TOOLS FOR MASTERING TRACKS BUT DOES ANYBODY KNOW HOW TO KEEP YOUR LEVELS PERFECT....IM HAVING A LITTLE TROUBLE WITH A TRACK RIGHT NOW....SO ANY HELP WOULD BE USEFUL


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EQ is your friend.
If the levels are in the red use the 'soft clipper' effect on the master channel.
Start by cutting the volume of all the channels to fifty percent and slowly use parametric eq and bring up the levels until you get the balance right whilst still keeping the decibels in the green.
Of course mastering gets a whole lot more complicated than that, that's why I google tutorials on the subject to try and get a grip on it.
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any tutorials you liked the most?
http://flstudio-tutorials.com/tutorial.php?tut=clear_mix
This one's a good one.
http://www.computermusictutorials.com/filemgmt_data/files/eqscreen800x60...
And this.
I've put some links up to some good tutorial sites in this thread.
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thanks man...I appreciate it
No worries dude.
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all producers should look at both of those....the graph and the tutorial was very helpful....thank you very much...I feel that it will change the way that I make my tracks from now on
I agree with all the comments!!!
Mastering is a science thats never complete....You just have to get it to a point where you, as the artist, FEELS it.
We all have our own techniques, thats what gives our signature to our sounds. After using and learning different techniques, You will develop your own thru trails and errors and hopefully share that information with the rest of us. "cause dats wut we do here"!
Ya feel me!
Good Luck on that quest! I'm still searching and learning....
EmergeX....On Dem BEATZ!
http://www.myspace.com/dukecityhustlers
www.isound.com/emergex
I FEEL YOU MAN...IM NO PRO BUT I WILL ALWAYS SHARE WHAT I KNOW WITH OTHER MUSICIANS...THATS HOW I LEARNED MYSELF
I found a site that might help some learn a little more about mastering.
http://www.tweakheadz.com/mastering_your_audio.htm
Dont know if it will help or not.
Second that, I reckon Tweak has got some of the best home studio info on the net on his site.
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Hey Sorry Frank...I'm not implying you or anyone here on MakeTunes dont share info. I'm just saying to someone that learned a new trick or two, might think everyone allready knows that information, and just wouldn't post it, or they would be shy about posting it.
o man...my bad...i never even took your comment in that way at all...i appreciate any help and comments anyone has to give so thanks....o and lawmouse im gonna check out that tweakheadz site....thanks for sharing
Oh no not another flamefest! These really get outta control on MakeTunes. :oP lol
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Its All GooD...
I think I got a lil bit off the subject...lol
Have you tried to use compression on your trax?
FL has a few good compressors but you have to play around with the settings. Then I'll back that up with a Peak Controler at the end...Remember; in fl studio the first slots you fill, the music will be effected by that effect first then the rest will follow in series.
Yeah that's an important point.
For example if on your effect channel you load a reverb and then a delay, you will be adding a delay effect to the reverberated sound, which can sound a little wierd.
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ive tried to mess with compressors before on fl but it sounded weird....i think my biggest problem is that im an effects junkie....i use to play guitar in a band and i loved effects pedals....and man when you get over to fl and there's all these effects that you can throw on every single track,it can really muddy up the song....but i think from now on im going to use that parametric eq to tighten it all up....i have the general idea of it....i just need to get so time to mess with it....maybe after eqing the tracks the right way,compressors wont be such a bad idea....ive used compressors alot with my roland studio but fl is totally different to me for some reason.....but your right....i should really be using compressors....thanks
mastering is all feel .Sometimes I'll render a track three or four times, just checking how the effects have influenced the finish.and make changes in that space. so far i'm with u guys. EQ-compression-gain or peak. Yes. But to reiterate. It's all feel. render listen,render again.
http://www.isound.com/itnocab
ITNOCAB : iSOUND.COMâ„¢
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Mastering depends alot on what type of track you're mastering... You have to decide if you want alot of dynamics, or if you want more overall volume... Go easy with those compressors, while they bring the average volume up in general, it also takes away from the dynamics. Dynamics are the peaks and valleys in the sound wave, compression will typically round those out to get a smoother curve (and then you can turn the master volume up w/out clipping) instead of the jagged looking dynamic sound. Many producers just go for volume and cause loss of quality doing it... Thats why some cds you buy are "louder" or "quieter"...
Preference is the main issue, you gotta decide what you want for your music... OR, of course it is a standard procedure for a producer to hand his unmastered work over to a mastering company to perform the mastering with fresh ears that haven't already heard the stuff hundreds of times over...
VERY VERY True about compression!!! I've messed up a lot of trax with over compressing them. I now only use it as a last resort, after viewing the over all track, making notes of the peeks and valleys.
I mainly use the default compressor in Audacity to clean up any type of wave files that I'll use in a beat.
I use other filters in the Audacity program to help clean them up as well....
The cleaner the sample sounds used in a beat, the less work one has to do to master it later.
Like everyone says...It's all about listening over and over again, set it aside for a day or so and then listen to it again a few more times. Compare your sounds to a Industry made CD to see if you captured that HIGH QUALITY stereo sound.
Many times a slight reverb on each channel (one more than the other) can give this sound, from what I've noticed.
Good words, EmergeX! Especially the part about using a CD you have that's similar to what you're doing to compare the sound quality to what you're working on. Toggling back and forth to get the right sound is a nice way to keep the ears fresh. I tend to start hearing what I want to hear sometimes instead of what's actually coming through the speakers.... The easiest person to trick is yourself sometimes.... LOL
"Talga Vassternich. Deserve Victory." -Terry Goodkind
The first thing i have to say is MASTERING is a very very difficult and specialist skill which should be left to those who do it for a living, Mastering engineers. These guys have specialist knowledge, years of training and experience, specialist tools and precisly engineered rooms for these specific tasks. So my advice is if you want something Mastered for Commercial release pay the cash and get it done professionaly, there is NO substitute for a fresh pair of objective ears (your ears are never objective to your own stuff) and years of experience.
ON THE OTHER HAND !!!
If you just want to make your tunes sound the best you can at home there are a whole host of tools for the job, here they are (in no particular order)
1. SHIT IN = SHIT OUT (if the samples, sounds you start with are crap quality DONT expect to make them sound better IN THE MIX - it wont happen)
2. EQ (Eq is youre best friend, and also your enemy - dont rely on eq for clarity of sound, again rule 1 applies - Also you may find that CUTTING instead of BOOSTING is more helpful - whenever you use EQ be aware that changing/adapting 1 EQ frequency will DEFINATLEY effect other frequencies - When CUTTING use a small Q when BOOSTING use a large Q)
freq chart : http://www.recordingeq.com/Subscribe/tip/tascam.htm
3. Multiband Compression/EQ (Use this sparingly also - great for manipulating different frequency bands at the same time with different settings - quite complex)
4. Compression (Use sparingly - check out transparent compression)
5. Limiting (use sparingly - can be used to increase loudness but also to tame wild peaks etc)
check this site for many many tutorials on all things mastering as well as others :
http://www.theprojectstudiohandbook.com/directory.htm
these are just some of the tools used by mastering engineers, there are many many more.
Here are some links to software and hardware tools.
http://www.uaudio.com/products/uad-dsp_menu.html
http://www.waves.com/content.aspx?id=90
http://www.izotope.com/products/audio/ozone/
http://www.rogernicholsdigital.com/plug-ins.html
http://www.sonnoxplugins.com/pub/plugins/home.htm
I hope this helps you guys out some :)
cheers
SM
"When the path is laid out in front of you in Glorious colour and definition, dont be surprised if temptation attempts to remove you from it, and in the same breath, realise that the path is adaptable, manouverable and constantly evolving and may be wrong
Great job, Soundmagus!!!
That´s exactly what it is about - though it´s still hard mastering it (get it: mastering is hard to master :-)).
I recommend this book by mastering veteran Bob Katz "Mastering Audio" (check with amazon...).
Cheerz
Julian
all u gotta do is rock
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